In working with large pieces of figured wood, there is a duality to the nature of each sculpture I create; the wood itself has an inherent beauty that is further emphasized by the composition of the sculpted form.

I start the process by seeking out regional wood that is either found, reclaimed, or harvested using sustainable methods. Wood left to the elements will decay, and like most things it is perceived as being transient in its environment. By selecting and removing the material from the outdoors, I impose a new set of conditions on the form. All other concepts and reasons for making the sculptures are cradled in the character and acquisition of the raw material.

The themes in my work are rooted in the natural world, and I strive to communicate through the suggested movement of each sculpture.

While the final outcome of my work is intended to embody the original form, there is also an accompanying idea that is implied through each sculpture. I attempt to preserve the spirit of the wood and its environment, while conveying a renewed sense of movement and life.